My work lives mostly in editorial and music videos, which is where I do my best thinking — the kind of styling that starts with a concept and has to earn every piece it puts on a person. Red carpet and film work followed naturally from that, because the logic is the same: clothes should do something, not just look expensive. I've spent years building a process that's collaborative without being indecisive, and I'm pretty honest with clients about the difference. The work I'm most proud of rarely announces itself.